Welcome to my SKO Site

SKO Contextualise 

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SKO Contextualise  *

In this studio project, I worked with my classmates to explore the possibilities of exhibition design. Our focus was not on a single theme, but on how to combine different types of media—video, posters, sound, and movement—into one digital exhibition space to create a connected and immersive experience. 

We had to carefully think about how to place each piece of work so that they could form meaningful relationships with each other. I gradually realized how important layout, lighting, scale, and viewing paths are for helping the audience understand and feel the artwork.

Balushi (2020) explains that the layout and interaction in an exhibition deeply affect how people feel and remember what they see. This gave me important ideas for my own design thinking. 

My personal project was an art video about headphones and reconnecting with oneself. I used abstract painting mixed with audio editing and flowing video montage to express the feeling of returning to the inner self while listening with headphones. This idea was also inspired by the research of Cai (2025), who discussed how adding emotional, human-like qualities to art helps people form deeper emotional connections with it. 

I also followed the ideas of Brian Sloan on how to make art videos. He says a good art video is not just a mix of images, but a careful use of rhythm, visual layers, sound, and emotion to tell a story or create a feeling. One point that influenced me was when he said to “edit your video like a curator.” I used this idea in my project by keeping a strong visual logic, making sure each scene supported the emotion I wanted to share, not just technical effects. 

This project helped me understand that exhibition design is not just about where to place things. It’s about creating a full experience for the audience using layout, sound, interaction, and timing. What I learned is that a good exhibition doesn’t just show artworks—it guides the audience on a journey of feeling and thinking. 

Group work video:

https://www.youtube.com/watch?v=FTMaYAlvDe0

Our emotions often feel tangled in a whirlwind of sound and chaos. Noise pollution fills our minds with endless distractions, making it hard to focus or find peace. The world blurs, rushing past in a constant wave of noise that feels overwhelming. Yet the moment we put on headphones, everything changes. We create a space of solitude where the outside world fades away. Sounds slow down, and the smallest details come into focus — the soft rustling of leaves, the gentle drift of clouds. What once went unnoticed now feels vibrant and alive. In this stillness, clarity emerges, and the mind settles into peace. It feels as though a quiet light surrounds us, revealing emotions in colors we had long forgotten to see. Free from the endless noise, we reconnect with ourselves, discovering the calm that was always quietly waiting within.

Reflect

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Reflect *

Echose of heart

At the beginning of this semester’s design studio, I felt a sense of uncertainty, as I had no prior experience in experience design. However, I chose to challenge myself and dive into it. Throughout the semester, I participated in an international online memory group project, contributed to the exhibition design and setup, and extended the group project into a personal video piece. These experiences not only enriched my design practice but also deepened my understanding of design methods, collaboration, and multimedia storytelling.

 

How my project demonstrates key methods, principles, and approaches.

In the international collaboration project, our team explored the abstract concept of “data.” Using a design thinking approach, we worked through phases of theme exploration, collaborative research, ideation, and video production. We referenced the work of artists and designers to better understand “data” as a sensory experience, combining sound, visuals, and digital technologies. Using headphones as a medium, we aimed to express the flow and perception of data. This taught me that design is not only about visual outcomes but also about interdisciplinary exploration and problem-solving.

 

Key moments and insights from the studio.

Collaborating with students from different countries was both a challenge and a breakthrough. Time zone differences and cultural barriers pushed me to improve my communication, planning, and spoken English. During the exhibition phase, I took on responsibilities such as testing poster and sticker printouts, learning how to use printers, and selecting materials. I also worked closely with team members from the promotion, event, and coordination groups. These collaborations taught me the importance of communication, resource management, and the integration of visual outcomes within a physical space.

 

What I learned from challenges and mistakes.

In the printing process, I encountered issues such as color inaccuracy and sizing problems. Through testing and iteration, I learned how materials affect visual presentation. During the video editing process for my personal project, I had to rework rhythm, music, and pacing several times, which taught me the value of refinement through feedback and trial-and-error.

 

Insights and understandings gained.

This studio experience revealed that design is an interdisciplinary practice that bridges theory and application, expression and interaction. I came to understand that impactful design connects emotionally with an audience and considers experience, not just appearance. I also realized that design is a process of ongoing collaboration and adaptability.

 

Influential ideas, theories, and practitioners.

Artists like Golan Levin and Ryoji Ikeda inspired me with their use of sound, data, and visuals in immersive and abstract ways. Their work demonstrated how data can be poetic and emotionally resonant, encouraging me to explore deeper meanings in experiential design.

 

What I now understand and how it affects my practice.

I now understand that successful design must balance concept, experience, and execution. As I continue developing my practice, I aim to focus more on teamwork, iterative feedback, and cross-media storytelling, to create works that are not only visually engaging but also intellectually and emotionally meaningful.

 

Reflect

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Reflect *